Today on the podcast, we chat with the collaborators of the World Premiere production, The Tattooed lady, A New Musical on stage at Philadelphia Theatre Company. Here is my interview with Max Vernon and Erin Courtney for The Tattooed Lady, A New Musical.

The story of The Tattooed Lady highlights one of sideshow’s biggest stars, Ida Gibson, in a moving, fantastical tale that reveals the generational chasms and connections between Ida and her granddaughter Joy. A parade of beguiling characters appear, on a mission to liberate Ida from her self-imposed exile and help Joy find freedom through forgiveness. The musical celebrates the resilience of women whose choices have the power to liberate them.

ABOUT THE CREATORS

Erin Courtney (Book) is a New York based playwright. Her play, A Map of Virtue, was awarded an Obie and was nominated for a GLAAD Media Award for Outstanding New York Theater. Her play I Will Be Gone, premiered at the Humana Festival, Actors Theater of Louisville. She has written two operas with Elizabeth Swados: The Nomad and Kaspar Hauser, both commissioned and produced by The Flea Theater. Her other plays, produced by Clubbed Thumb, include Alice the Magnet, directed by Pam MacKinnon, and Demon Baby, directed by Ken Rus Schmoll. She is an affiliated artist with Clubbed Thumb, a member of the Obie Award winning playwrights collective, 13P, as well as the co-founder of the Brooklyn Writers Space.

Max Vernon (Book, Music, Lyrics & Orchestrations) is a musical theatre writer, whose works include The View UpStairs, KPOP (opening on Broadway this November!), The Tattooed Lady, and Show & Tell. They are a three-time Drama Desk nominee, Out100 Honoree, two-time MacDowell Fellow, Dramatist Guild Fellow, and recipient of the Lucille Lortel Award, Richard Rodgers Award, Jonathan Larson Grant, Pew Arts and Culture Grant, and New York Foundation of the Arts Fellowship, among others. They have also written work for Audible, Disney, Virgin Group, and Tyra Banks. Notable concerts include Joe’s Pub, the Kennedy Center, Lincoln Center, and The Metropolitan Museum of Art. They earned an MFA from NYU's Graduate Musical Theatre Writing Program. www.maxvernon.com IG: @frauleinsallybowels

FOR TICKETS AND INFORMATION: https://philadelphiatheatrecompany.org

A Leg Up
By Ken Kaissar

Director Amy Kaissar

September 20, 2022 – October 9, 2022

A world premiere comedy for the 21st century!

Initially slated for its world premiere in the 2019/20 season, this witty and outlandish story is a new comedy for the 21st century written as a traditional farce. In A Leg Up, Charles Griffin III (O’Neil) has staked what’s left of his fortune on the new Miraculous Knee-to-Toe XR-3000 with 3D Helix, an intelligent prosthetic leg, designed for a presidential candidate, Senator Sam Wannamead (Hogan). Unfortunately, his mistress Laurie (Hamilton) announces she’s pregnant, his business partner Stephanie (Alpert) has her eye on his wife Barbara (Maurer), and the Senator is having an affair with the leg designer Rufus (Robbins), and it’s not even lunchtime yet!

ABOUT MARLA ALPERT

Marla Alpert [She/They] is a seasoned actor and singer, having performed in the national tours of Jekyll and Hyde and Ragtime, as well as with the National Yiddish Theatre Folksbiene’s The Sorceress, and over a dozen regional shows throughout the country. She is also the host of her own podcast about legendary Broadway flops, Flop of the Heap, and is a regular content creator on TikTok, advocating for transgender representation in media and educating on trans issues. You can find her on Instagram or Tiktok, @thefloorismarlava.

For More Information: https://brtstage.org

This September, Bryn Mawr College Performing Arts Series will present the first career retrospective of theater artist Annie Dorsen titled Algorithmic Theater. The retrospective is part of a residency advancing Dorsen’s work and examining the consequences of digital communications through theater. Algorithmic Theater brings Dorsen’s work to Philadelphia audiences for the first time and features four of her past projects, including Hello Hi There (2010), Spokaoke (2012), A Piece of Work (2013), and Yesterday Tomorrow (2015). Together, these works tell a story about advancing technology, encroaching artificial intelligence, and post-anthropocentric art-making that attempt to reckon with the last decade of history.

Dorsen is a New York-based theater director and artist who works at the intersection of algorithmic art and live performance. Since 2010, she has built a body of work in what she’s referred to as “algorithmic theater,” creating custom algorithms that perform in lieu of or alongside human performers. The pieces position the digital world’s influence on our everyday lives in dialogue with classical dramatic forms to confront the consequences of our increasing entanglement with information technologies.

Algorithmic Theater will begin with a presentation of A Piece of Work on September 9 at 8 p.m. at McPherson Auditorium. Mixing live performance with algorithms and interfaces, A Piece of Work flips the switch between man and machine in a digital version of Hamlet for a post-humanist age. The spectators are absorbed in a swirl of connections amongst memory, language, and technology, implicating both the past and future of theater itself. New scenes, songs, scores, and visuals emerge from an intricate and ingeniously programmed web of technology that uses Shakespeare’s original text as data.

The next piece, Spokaoke, will be hosted on September 10 at 10 p.m. at the Marie Salant Neuberger Centennial Campus Center. Spokaoke is a participatory event that invites people to perform speeches as they would ordinarily perform songs in a karaoke bar. Speeches are, after all, songs of persuasion, argument, consolidation, or motivation. Over 90 speech videos are loaded into a karaoke system and arranged in a catalog for audience members to peruse. Participants will read various forms of public addresses, including political speeches, award acceptance speeches, press conferences, theatrical monologues, eulogies, and trial testimony. An additional presentation of Spokaoke will take place at FringeArts on September 16 at 10 p.m. as a part of this year’s Fringe Festival, featuring a special guest host.

The third piece, Hello Hi There, will be presented on September 10 & 11 at 8 p.m. at Hepburn Teaching Theater. Dorsen uses the famous television debate between philosopher Michel Foucault and linguist/activist Noam Chomsky from the 1970s as inspiration for a dialogue between two custom-designed chatbots. Material from the debate, along with additional text culled from YouTube, the Bible, Shakespeare, and western philosophy, is inputted into computer programs designed to mimic human conversation to create a new, “improvised” dialogue at each performance.

Finally, Algorithmic Theater will conclude with Yesterday Tomorrow at McPherson Auditorium on September 15 at 8 p.m., September 16 at 6 p.m., and September 17 at 8 p.m. In Yesterday Tomorrow, three singers receive computer-generated music and lyrics both aurally and visually. The algorithmically-produced score begins with the Beatles’ hit song “Yesterday” and slowly transforms into “Tomorrow” from the musical Annie. Inspired by an artificial intelligence known as evolutionary computation, Yesterday Tomorrow gives a unique experience of the complexity and unpredictability of the present tense contrasted with the known past and the imagined future. Each night, the spatial and musical path from the past to the future is different; neither the singers, creative team, nor the audience knows the route the performance will take them.

Free tickets will be available to students from the Tri-College Consortium (Bryn Mawr, Haverford, and Swarthmore) and can be reserved by calling 610-526-5300, or emailing reservations@brynmawr.edu.

General admission tickets for Algorithmic Theater performances will be available online for $20, $18 for seniors (65+), $10 for students (not from the Tri-College Consortium), and $5 for children under five.

In addition to presenting performances, Bryn Mawr College Performing Arts Series will release an accompanying publication titled Algorithmic Theater: Essays and Interviews, 2012-2022. The publication highlights the last decade of Dorsen’s work, and a limited number of copies will be available to the public for free. Edited by writer and theater critic Tom Sellar, the book features essays by Dorsen as well as illuminating conversations with her collaborators. It also includes a collection of essays previously published in journals, monographs, and anthologies by Miriam Felton-Dansky, Jacob Gallagher-Ross, Sarah Bay-Cheng, W.B. Worthen, and Johannes Birgfeld.

ABOUT ANNIE DORSEN:

Annie Dorsen is a director and writer whose works explore the intersection of algorithms and live performance. Her most recent project, Infinite Sun (2019), is an algorithmic sound installation commissioned by the Sharjah Biennial 14. Previous performance projects, including The Slow Room (2018), The Great Outdoors (2017), Yesterday Tomorrow (2015), A Piece of Work (2013), Spokaoke (2012), and Hello Hi There (2010), have been widely presented in the US and internationally.

FOR MORE INFORMATION: https://anniedorsen.digital.brynmawr.edu and https://anniedorsen.com/

Today on the podcast, GUNNAR MONTANA returns to talk about the latest FringeArts offering, BATHHOUSE. Here is my interview with Gunnar Montana.

Designed as a temple to the fluid nature of sexuality, BATH HOUSE is a deeply sensory immersive theatrical experience dripping with erotic energy from start to finish. BATH HOUSE fuses dance and movement to create an atmosphere where guests are free to indulge their deepest desires, and perhaps even discover new ones.

VIP Packages Available: The VIP Table Experience is the ultimate way to get up close and personal with Gunnar and the BATH HOUSE cast. The Experience includes (4) VIP table seats, (4) official BATH HOUSE t-shirts, a bottle of champagne for your table, and a post-show meet and greet with the cast. Check ticket page for VIP options.

FOR MORE INFORMATION: https://www.gunnarmontana.com

$30,000 Fundraising initiative. How far along are you?

How can our listeners get involved and support the initiative?

The funds raised will allow JUNK to provide equitable access for the community by providing free and discounted ticketing for artists and LGBTQIA and HIV+ communities.

The SEASON:

Luster

• Thu, Sep 8, 2022 Sat, Sep 17, 2022

• Concourse Dance Bar (map)

Lust for exposure and success turns… TRAGIC.

Set in an underground shopping mall turned nightclub, Junk’s newest experience, Luster, reveals the twisted nature of reality show competition and begs the question, “Where do we draw the line?”

Luster gives patrons a behind-the-scenes look into the making of TRAGIC, a streaming show where aspiring reality TV producers are looking to make their mark in the edgy new world of internet reality TV. Luster begins by giving audiences a look behind the camera during a live broadcast of the TRAGIC Season Two finale featuring five competing teams.

The plotline begins after Season One, which featured off-the-wall ideas with a cast of circus performers who competed in front of a crowd on equipment and apparatuses they had never used before. Season Two's production team needs to find new ways to create a show filled with even more outrageous and dangerous layers of competition. In the inaugural season of TRAGIC, every on-camera accident made ratings jump. The more the performers suffered mentally and physically, the more people tuned in. This year, producers and sponsors want something sexy and erotic, gritty but graceful. TRAGIC centers on pushing the envelope, with contestants focused on driving high ratings with provocative and daring performances.

Emotions will run high as five teams, StripperX, Face Punch, The Inappropriators, Gothic Drip, and the Gayties, battle it out to compete for a top-secret first-place prize. Luster audiences are encouraged to vote for their favorite team but with caution, as there is always a twist on TRAGIC.

Snowball, back on ice!

• Saturday, January 21, 2023

Our annual fundraiser

A Modern Carmen Fantasy

• Fri, Mar 10, 2023 Sun, Mar 12, 2023

• The Philadelphia Orchestra

Experience the great Russian composer Rodion Shchedrin’s Carmen Suite as never seen before, with the help of the riveting Philadelphia-based dance company Brian Sanders’ JUNK. The dance theme continues with Stravinsky’s Firebird Suite, a colorfully melodic and spectacular score written for the Ballets Russes that made an overnight star of the young composer.

FOR MORE INFORMATION: https://briansandersjunk.com

"rADicAl ImAgInAtIoN"

(and other sorted pandemic musings)

Theatre Exile presents rADicAl ImAgInAtIoN (and other sorted pandemic musings); a Paper Wings event featuring original works written by students from Fanny Jackson Coppin and Franklin Learning Center!

For this event, 30 students wrote original works using World Building prompts created by our Education Director, Mx. TS Hawkins

Through imaginative and thematic activities, group assignments, and peer review, the students had an opportunity to gain real-world experiences and learn how to collaborate in a writer’s room.

rADicAl ImAgInAtIoN (and other sorted pandemic musings) will be presented virtually on Friday, June 3 at 7PM and Saturday, June 4 at 2PM.

This event is free to the public, but donations will be accepted with proceeds going towards Theatre Exile’s Education Department to fund future Paper Wings productions.

The Saturday, June 4, 2PM presentation will highlight the winner of the Literary Eagle Award!

ABOUT TS HAWKINS

TS Hawkins (they/them) is an international author, performance poet, art activist, playwright, and member of the Dramatists Guild. Plays, short works, and books include Seeking Silence, sweet bread peaches (formerly, Cartons of Ultrasounds), Too Late to Apologize, In Their Silence (formerly, They’ll Neglect to Tell You), #RM2B, The Secret Life of Wonder: a prologue in G, AGAIN, #SuiteReality, “don’t wanna dance with ghosts…”, Sugar Lumps & Black Eye Blues, Confectionately Yours, Mahogany Nectar, Lil Blaek Book: all the long stories short, and The Hotel Haikus. Hawkins’ one-act choreopoem, AGAIN, was acknowledged for having the “Best Theater Moment of 2017”. #SuiteReality received the 2017 “Theatrical Reality Check” Surya Bonaly Award, an international publication in WORDPEACE Literary Journal, showcased in Chicago at the Goodman Theatre for the Black Lives, Black Words International Theatre Festival, and shares residence at the Carnegie Mellon University Hunt Library. Cartons of Ultrasounds had the pleasure of returning to New York for a limited off-Broadway run to rave reviews. Recently, The Secret Life of Wonder: a prologue in G graced Australian stages as part of Antipodes Theater Company’s Ricochet Reading Series! Hawkins’ residency credits include National Black Theatre SOUL Producing Resident, Swim Pony Performing Arts TrailOff Writer-in-Residence, 1812 Productions’ Jilline Ringle Solo Performance Residency, Out of Exile Artist-in-Residence, Irondale Ensemble “To Protect, Serve, and Understand”, Painted Bride Art Center’s Souls of Black Folk, and Alphabet Arts Puppets & Poets. Notable writing contributions include Rising Voices: Poems Towards a Social Justice Revolution (University Professors Press), Closet Cases: Queers on What We Wear (Et Alia Press), Family Legacies (SONKU Collective Magazine). WORDPEACE Literary Magazine/vol. 2 Spring Edition, Fragrance of Love (Poet Tree), Long Wharf Theatre Blog Series, The Dramatist – Motivation & Innovative Dramatists issues, and Pandemic of Violence Anthology (North of Oxford Press). Ongoing projects: TrailOff and Community Capital: an Afrofuturism South Philly Walking Experience. tspoetics.com

FOR MORE INFORMATION: https://theatreexile.org

Em3ry Podcast Network has a new podcast for you starting this week. It’s called “The Business of Theater, A Working Title”. Author, Mitch Weiss and I have kicked around the idea of a podcast based on the conversations we’ve had over the years. With his many years working on Broadway and my many years in Philadelphia’s theater community, the balance of viewpoints have brought us to this point.

Mitch Weiss along with Perri Gaffney, wrote a book, The Business of Broadway and since 2015, we have updated the book’s chapters monthly. Those updates can be found on Em3ry.com in the same feed as this new podcast. So, give it a listen wherever you currently listen to podcasts and let us know what you think.

That’s “The Business of Theater, A Working Title with Darnelle Radford and Mitch Weiss”, now part of the Em3ry Podcast Network.